I Saw The TV Glow Horror Movie Shirt

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I Saw The TV Glow Horror Movie Shirt

I Saw the TV Glow is a 2024 American horror film written and directed by Jane Schoenbrun. Jane Schoenbrun’s debut narrative feature, We’re All Going to the World’s Fair, premiered at Sundance in 2021 – an edition of the film festival held virtually due to the COVID-19 pandemic. Given that it’s an immersive journey into creepypasta culture, We’re All Going to the World’s Fair actually benefited from debuting in that format. For their second feature, I Saw the TV Glow, Schoenbrun has teamed with A24 – an indie juggernaut that’s become a brand unto itself – to expand the scope of their vision.This is a film that needs to be seen on the largest screen possible.

There are some astonishingly beautiful shots in I Saw The TV Glow hazy, ephemeral images that turn humdrum suburbia into Day-Glo dreamscapes. An abandoned ice cream truck, glowing green with smoke billowing out of its back. A Fruitopia vending machine that radiates like a pink beacon in the darkness of a school cafeteria. The vegetable aisle of a supermarket, transformed into a neon fantasia under Schoenbrun’s lens. A similar hand-sketched, luminous aesthetic appeared in World’s Fair, but it’s upscaled here, enhanced by Schoenbrun’s superb eye for composition. This is a labor of love, and it shows.

The content is hazy and ephemeral as well, following two decades in the life of Owen (Ian Foreman and Justice Smith). When we first meet Owen in 1996, he’s a lonely kid who finds an unlikely ally in Maddy (Brigette Lundy-Paine), a slightly older outcast at his high school. The pair connect over their shared love for the TV series The Pink Opaque, a teen horror anthology about two girls, Tara (Lindsey Jordan) and Isabel (Helena Howard), who use their psychic bond to fight supernatural evil.

I Saw the TV Glow is an earnest personal statement wrapped in a surreal art-horror movie, a labor of love whose originality and astonishing beauty establish writer-director Jane Schoenbrun as a major cinematic talent. Schoenbrun envelops a tale of two lonely teenagers – and the director’s own feelings about gender – in an ephemeral haze that transforms 1990s suburbia into Day-Glo dreamscapes.

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Material	Solid colors are 100% cotton Heather colors are 50% cotton, 50% polyester Graphite Gray is 90% cotton, 10% polyester Antique colors are 60% cotton, 40% polyester Made from specially spun fibers that make very strong and smooth fabric, perfect for printing
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Imported	From the United States
Care Instructions	Machine wash warm, inside out, with like colors. Use only non-chlorine bleach. Tumble dry medium. Do not iron. Do not dry clean

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